The Beast With A Million Eyes (1955) Download Torrent
| The Beast with a Million eyes | |
|---|---|
 Theatrical release poster | |
| Directed past |
|
| Written by | Tom Filer |
| Produced by | David Kramarsky |
| Starring |
|
| Cinematography | Everett Bakery |
| Edited past | Jack Killifer |
| Music by | John Bickford |
| Production | San Mateo Productions |
| Distributed by | American Releasing Corporation |
| Release engagement |
|
| Running time | 75 minutes |
| Country | Us |
| Language | English |
| Upkeep | $33,000[1] [2] or $20,000[3] |
| Box office | $100,000[3] |
The Fauna with a One thousand thousand Eyes (a.thousand.a. The Unseen ) is a 1955 independently made American blackness-and-white scientific discipline fiction flick, produced and directed past David Kramarsky, that stars Paul Birch, Lorna Thayer, and Dona Cole. Some film sources take said that the film was co-directed by Lou Place.[ citation needed ] The picture was co-produced by Roger Corman and Samuel Z. Arkoff.[four] and was released by American Releasing Corporation, which later became American International Pictures.
The film'south storyline concerns a space alien that is able to run across through the optics of a large array of Earth life that it can besides mentally control, part of its plan to conquer the Earth.
Plot [edit]
Allan Kelley and his family struggle to survive on their modest date ranch, located in the bleak California desert landscape well abroad from civilization. His wife Ballad hates living and so far from civilization, ofttimes taking her frustration out on their girl Sandra. The only vivid spot in Sandra's life is her boyfriend Larry Brewster.
Later on a mysterious object, initially thought to be a plane crashes nearby, both wild and domesticated animals begin attacking the family. Soon, the subcontract'southward handyman (Leonard Tarver) turns on the family, attacking them.
Information technology is finally revealed that a space alien (the "fauna" of the title) has taken full control of the area's lesser animals and is working its way up to humans, all part of its master plan to conquer the Earth.
In the terminate the family bond together, fighting confronting the conflicting menace. They must unite their minds in a show of dearest to have a chance of finally thwarting its program of conquest.
Unable to counter this attack, the conflicting flees into the heed of a serpent, where it is promptly killed and carried off by a hawk.[5]
Bandage [edit]
- Paul Birch equally Allan Kelley
- Lorna Thayer as Ballad Kelley
- Dona Cole as Sandy Kelley
- Dick Sargent (credited as Richard Sargeant)
- Leonard Tarver as "Him" aka Pervy Bill
- Bruce Whitmore (phonation but) every bit The Beast
- Chester Conklin every bit Old Homo Webber
Production [edit]
Reportedly the moving-picture show was based on a script called The Unseen past Tom Filer. Roger Corman was attracted to the project because in the original typhoon of the script, no monster was seen, which meant the film could exist done cheaply.[6] Executive producer Arkoff insisted on a visible monster and space transport, simply there was very piddling in the upkeep to realize these furnishings.[five] Corman's original thought was an alien that was incapable of being seen.
In April 1955 it was appear in Variety the film would exist the first for Pacemaker Productions, a new company formed by Roger Corman. By that stage the motion picture had been renamed The Beast with a Million Eyes. It would be produced and directed past David Kamarsky, Corman's erstwhile aide, while Corman would executive produce. Corman was meant to direct Cobra in Republic of india instead, but that film was never made.[7] Paul Birch's casting was announced in Apr 1955.[8]
The Beast with a One thousand thousand Optics was the tertiary of a three-picture deal Roger Corman had with the American Releasing Company following The Fast and the Furious (1955) and Five Guns West (1955).[ix] Reportedly, cost over-runs on Five Guns West meant merely $29,000 remained to make the film for Pacemaker Productions.[x] [xi]
The championship, Beast with a Million Eyes, reportedly came from American Releasing Company president James H. Nicholson. His title and handling had film exhibitors signed on before seeing the finished film. The million eyes of the title refers to the alien's ability to see through the optics of the animals and people it controls.[5]
Reportedly, The Animal with a Meg Eyes was a non-union filming of a script originally titled The Unseen, with Lou Place set up to direct. After one day's filming, the union threatened to shut downwardly the production unless everyone signed with the Guild. Roger Corman, who was producing, took over the picture show'southward directing chores and replaced the cinematographer with Floyd Crosby; Corman took no official screen credit.[1] All the same, another version of this story has Corman allocating directing duties to Dave Kramarsky, his acquaintance managing director on Five Guns West.[ix]
Filming took identify in Indio and the Coachella Valley, California.[12] Corman shot 48 pages of interiors in just two days at a studio on La Cienega Blvd. in Los Angeles.[9]
The moving-picture show is besides noteworthy for its promotional poster. It features an eye-catching monster unlike from that seen in the pic.[thirteen]
Paul Blaisdell [edit]
When the company vice-president Samuel Z. Arkoff received The Brute with a One thousand thousand Eyes he was unhappy that it did not fifty-fifty feature "the beast" that was implicit in the championship. Paul Blaisdell, responsible for the movie's special furnishings, was hired to create a three-foot-tall spaceship (with "beast" alien) for a meager $200. Notably, the Art Manager was Albert Southward. Ruddy, who would later win two "Best Picture" Academy Awards for The Godfather (1972) and One thousand thousand Dollar Baby (2004).[14]
It was Blaisdell'southward kickoff monster made for the movies. He later said:
The beast seen in the last reel ... was actually the slave of The Beast, which had no physical being. It used a beingness from another star organization to airplane pilot its ship, but that fact doesn't come across very well in the script. The creature was an automaton and he was quite capable of doing a lot more than than he was allowed to practise in the flick. He was about eighteen inches loftier — built to the same scale equally King Kong. Unfortunately, all of his scenes were shot in nigh ten minutes, with the wrong camera angles and everything. But it's but one of those things which happens on a low-budget picture.[15]
According to Alex Gordon, when the motion-picture show was first shown, Joseph E. Levine, so a distributor, offered Nicholson $100,000 to junk the movie and brand a new one more in line with the advertizement campaign. Gordon says James Nicholson spent two weeks analyzing the film and scratching over the negative to make it seem like lightning strikes to add to the dramatic qualities of the film.[16]
Music [edit]
The tiny budget meant music in The Beast with a 1000000 Optics, credited to "John Bickford", is actually a drove of public-domain record library cues by classical composers Richard Wagner, Dimitri Shostakovich, Giuseppe Verdi, Sergei Prokofiev, and others, used to defray the cost of an original score or copyrighted cues.[17]
Reception [edit]
Pic historian Leonard Maltin called The Beast with a Meg Optics, "Imaginative though poorly executed sci-fi melodrama with desert setting; a grouping of people is forced to confront an conflicting that can control an unlimited number of animals, hence the championship." He further described the pic as, "(an) early on Roger Corman production (that) features Paul Blaisdell's outset motion-picture show monster".[xviii]
The Encyclopedia of Scientific discipline Fiction found the movie to be minimal and the effects unconvincing, but noted this was one of, if not the first, movie to feature animals attacking humans, predating The Birds.[5]
Television Guide called the movie a turkey.[19]
Moria gave the motion-picture show ii.5 stars, liking the thought and the setting, even so the fauna attacks are not viewed as scary and the direction was seen as pedestrian. It did however also note the similarities with Hitchcock's moving-picture show The Birds.[13]
Home media [edit]
In 2007 Metro-Goldwyn Mayer released The Animal with a One thousand thousand Eyes as part of its Midnight Movies DVD catalog as a double-characteristic with The Phantom from 10,000 Leagues (1955).
See also [edit]
- List of American films of 1955
References [edit]
Notes [edit]
- ^ a b McGee 1996, pp. 24–27.
- ^ Harmetz, Aljean. "The dime-store way to make movies-and money." The New York Times, Baronial four, 1974, p. 202.
- ^ a b "$65,000 '24-hour interval' may hit $ane,000,000". Variety. 22 February 1956. p. 16.
- ^ Lentz 1983, pp. 608, 629.
- ^ a b c d "Beast with a Million Optics, The". The Encyclopedia of Scientific discipline Fiction. April 4, 2017. Retrieved Baronial 15, 2021.
- ^ Palmer p. 20.
- ^ "Science Fiction Stress in Pacemake Films". Diversity. April 13, 1955. p. three.
- ^ War Buddies Alex Nicol, Mickey Knox to Costar; Kennedy to Stage-Directly Schallert, Edwin. Los Angeles Times 13 Apr 1955: B11.
- ^ a b c Smith 2014, pp. 18–19.
- ^ "The Beast with a 1000000 Eyes". Turner Classic Movies.
- ^ Palmer p. nineteen.
- ^ The Beast with a 1000000 Optics at the American Film Institute Catalog
- ^ a b "The Beast With a 1000000 Eyes (1955)". Moria. Retrieved August fifteen, 2021.
- ^ Smith 2009, p. 21.
- ^ Palmer, Randy. "Stateside Shocker". Halls of Horror. p. 27.
- ^ Gordon, Alex (July 1983). "The Pit and the Pen of Alex Jacob". Fangoria. No. 28. p. 28-29.
- ^ "Movieland events; Gig Young obtains 'A Man in Eritrea'." Los Angeles Times, April vi, 1955, p. B6.
- ^ Maltin, Leonard. "Leonard Maltin Movie Review." Turner Classic Movies. Retrieved August 15, 2021.
- ^ "The Beast with a One thousand thousand Eyes". TV Guide. Retrieved Baronial fifteen, 2021.
Bibliography [edit]
- Lentz, Harris M. Three. Science Fiction, Horror & Fantasy Film and Television Credits, Vol. i. Jefferson, North Carolina: McFarland & Company, 1983. ISBN 978-0-7864-0952-5.
- McGee, Mark. Faster and Furiouser: The Revised and Fattened Fable of American International Pictures. Jefferson, Due north Carolina: McFarland & Company, 1996. ISBN 978-0-7864-0137-6.
- Palmer, Randy (2015). Paul Blaisdell, Monster Maker: A Biography of the B Movie Makeup and Special Effects Artist. McFarland. p. 19-32. ISBN9781476607290.
- Smith, Gary A. American International Pictures Video Guide. Jefferson, North Carolina: McFarland & Company, 2009. ISBN 978-0-7864-3309-four.
- Smith, Gary A. American International Pictures: The Golden Years. Albany, Georgia: Bear Manor Media, 2014. ISBN 978-one-5939-3750-8.
- Warren, Bill. Keep Watching the Skies: American Science Fiction Films of the Fifties, 21st Century Edition (revised and expanded). Jefferson, N Carolina: McFarland & Company, 2009. ISBN 0-89950-032-3.
External links [edit]
- The Beast with a One thousand thousand Eyes at IMDb
- Review of film at CineSevant
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